Skip to main content

Soft Eyes

I seem to be going back in time at the moment and finding more value in photographers work from other eras. Is that something to do with getting older or just being out of step?  I was really excited to read this quote by Henry Wessel in Photography After Frank, a collection of essays by Philip Gefter:


"Part of it has to do with the discipline of being actively receptive. At the core of this receptivity is a process that might be called soft eyes. It is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore."


Of course he's talking about the process of going for a walk with your camera and the state he needs to enter to take photographs. Well it sent shivers down my spine as that describes so articulately what I do. I've got a thing for hedges too!


Henry Wessel - Santa Barbara, 1977


Henry Wessel - San Francisco, 1972

Comments

Popular posts from this blog

A Lovely Pair of Pins

I knew the expression 'pins' referring to legs but had to Google what the Cockney rhyming slang comes from. It looks like 'pins & pegs', but there are some great alternatives like 'bacon & eggs' and 'dolly pegs'. I think I might start trying to incorporate more Cockney into my everyday speak, I do have London roots but they are more South  (Saff)  London than East London, where I think it originates.  Anyway this is all to illustrate a new picture that sits quite neatly with an older picture. So brogues, legs and a sea view from my two main muses. This might be turning into a set...  Oh by the way the top view is Morecambe Bay and the lower image is from The Wirral looking across towards Wales. The North West of England is a beautiful place, with some stylish residents. 

Linda McCartney Video Commission

If you'd like to access my cyanotype video workshops, they are still live on The Walker Art Gallery website: Cyanotype prints for beginners Advanced cyanotype prints

Exquisite Corpse

I've gathered this project together here, although it really just started as instagram posts and me keeping myself entertained/ creative through the early weeks of the pandemic. On reflection, although it looks visually different from my usual work (black and white rather than a focus on colour) the themes that emerge are similar. This is how I've made sense of it: These images are inspired by the exquisite corpse parlour game first played by the surrealists around the time of the 1918 pandemic. In my interpretation each picture is a self-portrait made up of my silhouette and graphic elements found on my Lockdown daily walks in the suburban landscape around me. Living alone I soon realised the only human form I was seeing on a regular basis was my own shadow. I started making these images using my phone camera and a selection of simple apps at the beginning of the first Covid Lockdown and continued until things returned to some kind of normality in mid...