Skip to main content

Périphérie




This is the second in a new series of pictures made on the periphery of towns and cities. I made this one on my recent visit to Arles in southern France. As always I'm interested in the relationship between the natural and manmade worlds and the tussle for supremacy. My first attempt was made on the threshold between Manchester and Salford, and can be viewed here: 


Spending time in the baking heat of Arles really made me think about the lush nature of the British Isles. We often complain about the unpredictable nature of our weather but it does mean we are surrounded by hundreds of shades of green for much of the time, even our urban centres have an emerald glow in spring and summer. The grass is always greener.
Labels:

Comments

Post a Comment

Popular posts from this blog

A Lovely Pair of Pins

I knew the expression 'pins' referring to legs but had to Google what the Cockney rhyming slang comes from. It looks like 'pins & pegs', but there are some great alternatives like 'bacon & eggs' and 'dolly pegs'. I think I might start trying to incorporate more Cockney into my everyday speak, I do have London roots but they are more South  (Saff)  London than East London, where I think it originates.  Anyway this is all to illustrate a new picture that sits quite neatly with an older picture. So brogues, legs and a sea view from my two main muses. This might be turning into a set...  Oh by the way the top view is Morecambe Bay and the lower image is from The Wirral looking across towards Wales. The North West of England is a beautiful place, with some stylish residents. 
Post a Comment
Read more

Linda McCartney Video Commission

If you'd like to access my cyanotype video workshops, they are still live on The Walker Art Gallery website: Cyanotype prints for beginners Advanced cyanotype prints
Post a Comment
Read more

Exquisite Corpse

I've gathered this project together here, although it really just started as instagram posts and me keeping myself entertained/ creative through the early weeks of the pandemic. On reflection, although it looks visually different from my usual work (black and white rather than a focus on colour) the themes that emerge are similar. This is how I've made sense of it: These images are inspired by the exquisite corpse parlour game first played by the surrealists around the time of the 1918 pandemic. In my interpretation each picture is a self-portrait made up of my silhouette and graphic elements found on my Lockdown daily walks in the suburban landscape around me. Living alone I soon realised the only human form I was seeing on a regular basis was my own shadow. I started making these images using my phone camera and a selection of simple apps at the beginning of the first Covid Lockdown and continued until things returned to some kind of normality in mid...
Post a Comment
Read more